Interviewed For Culture 24

Below is a short extract from Mark Sheerin’s article, ‘Taking a View on London’s East End Art Scene’, written for Culture 24 – the website dedicated to delivering the latest news, exhibition reviews and listings from museums, galleries, archives and libraries around the UK. In this section of the article you can read the results of the interview that I had with Mark when we recently met at CAMP (City Arts and Music Project), where I’m currently exhibiting work in the ‘Botanists of the Asphalt’ show. To check out the full article, where he also talks to Rachel Mapplebeck of Whitechapel Gallery about the changing face of the East End art scene from the 1980’s to now, go to -
http://www.culture24.org.uk/art/art75023 .

(From ‘Taking a View on London’s East End Art Scene’ by Mark Sheerin) -
...Sure enough, at The City Arts and Music Project, artist Wayne Chisnall turns up on his bike. At this bar-cum-gallery near Old Street station, the work now on show is inspired by the urban landscape.
Chisnall talks about his piece, a nightmarish tower made from wood, bone, nails and other found objects. "East London is a rich picking ground for debris," he says. "I think the East End is one of the grubbiest, grimiest parts of London but that's quite a positive thing for me."
It is perhaps also, he agrees, the centre of the art world: "There's so many artists here and everyone's sort of eager to make it and there's a really good energy."
It is hard to disagree, looking around his exciting group show as night falls on City Road and the DJ starts warming up the room. But as the East End gears up for the 2012 Olympics, it is getting harder for artists to find live/work spaces in the area.
Chisnall will have to move studio in January owing to redevelopment, but he remains keen to stay in the East End. It's just as well he is a philosophical sort. "I've always been quite fascinated by that sense that nothing is permanent," he says. "It's all in a state of flux."

To read more articles by Mark, check out his blog at - http://criticismism.wordpress.com/

Photos courtesy of Culture 24

Join the League of Super-duper Artists

OK, it might not be the new hi-tech secret headquarters for a team of crime-fighting super heroes but I am looking for 5 artists to join me in renting a massive live/work space that I’ve found in the heart of Shoreditch, London ('the place to be'). The space is available from the end of this month. It’s the whole of the second floor of an old office block situated halfway between Old Street Tube and Liverpool Street Station – just off Great Eastern Street. The place is massive so there will be loads of space to work and to chill out in. there are already enough rooms off the main open space to use as bed rooms - so we wouldn't have to build our own. Although we should free to make any improvements or alterations that we see fit. There is a good sized kitchen area, a few toilets but only one shower so we’ll either have to make do with that or put another one in ourselves. The rest of the floors are home to a few art collectives and there are roof-top gardens where fruit and veg have previously been grown. I imagine that come Summer, a few barbecues will be taking place up there too.

I'm still waiting for the landlords to get back to me with the actual price but hopefully it will be about £3000 per month (all inclusive) for the whole floor which would work out at £500 per person, per month. I think that they will probably be asking for a month's rent in advance and a months rent as deposit but as I said, I’m still waiting for them to get back to me with the final details.

Obviously I want this to be a positive and creative environment so I’m looking for motivated and productive artists. If you are interested then please get in contact (you can email me at waynechisnall@yahoo.co.uk), telling me a bit about yourself and either send me a couple of images of your work or include your website or blog address and a contact number.

Please feel free to pass this message onto anyone that you think might be suitable and interested.

waynechisnall@yahoo.co.uk

Art of England (issue 63)

If you can manage to get hold of a recent issue (well, I say ‘recent’ - it probably came out a couple of months ago) of Art of England magazine you might be able to find an article that features one of my paintings, Kitchen blue. The article starts on page 66 of issue 63 (the one with the new Damien Hurst painting, Skull with Astray and Lemon, on the cover) and celebrates 20 years of Candid Arts – the Islington arts centre set up and run by Duncan Barlow, to promote the work of recent art and design graduates. However, Candid Arts is much more than just that. As well as being an artists’ studio complex it has its own gallery spaces (set over 2 floors) a projection room, a courtyard garden and probably the best chill-out café in London.
Anyway – back to me (‘Yay’ I hear you cry). As well as having one of my pieces featured in the article I get a mention as one of Candid’s exhibiting artists, along with a short biog.
And if you can’t find the article it’s still well worth visiting Candid Arts, if not only for its bohemian style café. Here’s the address – Candid Arts, 3 Torrens Street, Islington, London EC1V 1NQ. Tel. +44 (0) 207 8374 237. www.candidarts.com.

Sketchbook Archive # 01

The City/Fetish Mutated

If asked ‘what is the first thing you would try and save in a fire?’ I imagine that most artists would say sketchbooks (OK - if they had kids, they ‘might’ say kids first) – yet when it comes to exhibitions and the art world in general, these vital documents go largely over-looked. I know that not all artists use sketchbooks but to me they are invaluable. Not only do they act as a form of external memory (one of the worst things is to have a great idea for a piece, not make a note of it, then forget what it was) that you can come back to years later and find new inspiration in, but they also allow you to work out your mistakes without having to make them in the physical world.
So, as a tribute to the ‘the sketchbook’ I decided to start a regular (well, I say regular – I imagine that there will be more than one) Sketchbook Archive post on my blog, where I show a few examples of my working-drawings and talk about what was going through my mind at the time (cue the sound of wind and tumbleweed rolling across the prairie).
So, there goes –
The images above are perfect examples of what would happen if I could cross-breed some of my sculptures. Or rather, what the outcome would be if I started mixing some of the materials and techniques from one piece with that of another. These drawings take their inspiration from my earlier sculptures, The City (made mostly of wood and found materials) and Fetish, made from human hair. Ever since I first made Fetish I’ve been both fascinated and repulsed by the use of hair as an artistic medium. I love the look of it as a material but it feels horrible when you have to mix it, by hand, with glue. However, hair is a great thing to draw as it seems to dictate its own flow. But when I start introducing the rigid structure of wooden frames and boxes into the drawing, a kind of equilibrium or harmony comes into play and the two materials start to dictate the overall form the potential sculpture might take.
In a couple of the sketches you can see where I’ve experimented with adding items that I’d previously used in other sculptures – things like tubes, teeth and doll parts. This is one of the great things about sketchbooks – you can be a playful, dark or as silly as you like. And often, some of the best pieces come from what you originally thought of as just a stupid idea or from the crudest thumbnail sketch.

Happy New Year

I hope everyone has had a fantastic festive season and that the New Year brings you all a fresh new start. 2009 was a great year for me, artistically - I exhibited work in more shows than any previous year. So, here's to 2010 and all it has to offer.
I know that I've not posted anything for a few weeks, but what with meeting up with family and friends over Christmas, partying over New Year and still trying to find a new studio to move into (I can't believe how much stuff I've got to pack for the move) - things have been a bit hectic lately. Anyway - once I do find a new location, I'll be raring to go with some new projects.

Images from The Grand Plasto-Baader-Books

To see and read about some of the work from KALEID Edition's The Grand Plasto-Baader-Books exhibition check out Katie Dominy's article in Art Threads (my work gets a mention at the bottom - YAY!) at - http://blog.artsthread.com/?p=1598
The show, at 23-25 Redchurch Street, Shoreditch, London, runs until 24th December so there are still a few days left to check it out before it closes.
http://blog.artsthread.com/?p=1598

RCA Secret Postcard Prize

I've already said congratulations to Cade Newman who correctly guessed which were my postcard entries in this year's RCA Secret Show (ahead of the sale opening) but I'd forgotten to mention what his prise was. So here it is, Doll Torso, from my series of small Doll Parts paintings. Maybe I'll do another competition for next year's show.

Review of 'Botanists of the Asphalt' by Julia Kollewe

The City Arts & Music Project makes its debut on the London art scene | Julia Kollewe

Last Night's Opening Shows

Here are a couple of photos from both of last night's private views ('Botanists of the Asphalt' and 'Tate the Biscuit')- taken by the extraordinary Yoshizen with one of his Heath Robinson-style cameras. To see more of Yoshizen's photos and words of wisdom check out his blog - yoshizen.wordpress.com.

Both shows seemed to go very well and the turn out was fantastic. It was great to see so many familiar faces again. Because I was nipping between the two exhibitions I didn't manage to properly see all the work on show at the Tate the Biscuit exhibition (and there is a lot of it - one of my favourites has to be the print of Big Foot, carrying two Tesco shopping bags) down in the basement of Shoreditch Town Hall so I'll be popping along again on Saturday morning. It's a great show, in an amazingly atmospheric venue, with loads of fantastic (and reasonably priced) art - so I'd strongly advise going along before it closes on Sunday.

Two Shows Opening Thursday

This evening's been a bit hectic, setting things up for both of tomorrow's opening nights but at least everything now seems to be in place. I've hung the two paintings (see photos) for the Tate The Biscuit show down in the basement of Shoreditch Town Hall and I've delivered my City sculpture to The City Arts & Music Project, ready for Botanists of the Asphalt.
It's a shame (or maybe fortunate) that I don't drink vodka as I've just found out that Absolute Vodka are sponsoring the Botanists exhibition.
So if anyone would like to come to either or both events you will be most welcome. However, if you are planning to come to the Botanists of the Asphalt, just remember to RSVP to stephanie@thecamplondon.com first.
Hope to see you there.

Botanists of the Asphalt - This Thursday

Here are a few detail shots of my sculpture, The City, that I will be showing in this Thursday's 'Botanists of the Asphalt' show. If you would like to come to the show please RSVP to the curator, Stephanie Pochet, at stephanie@thecamplondon.com or by ringing 07966 244138.

Botanists of the Asphalt (Part 1)

Private View - Thursday 3rd December (6.30 – 9.30pm)

Exhibition Runs - 4th December to 5th January

The City Arts & Music Project, 70-74 City Road, London EC1Y 2BJ - 0207 253 2443

info@thecamplondon.com

Book Art Show This Tuesday

Book Tower II (Nostalgia For a Childhood That Wasn't Mine), originally uploaded by Wayne Chisnall.

It was a close call but I've just managed finish my latest sculpture, Book Tower II (Nostalgia For a Childhood That Wasn't Mine), and deliver it to KALEID Editions gallery before the hand-in deadline expired. Although there are some similarities to my original Book Tower sculpture, this one has a more open structure and I decided to make the top section entirely out of interlocking books. None of them are glued together. As with a lot of my work, this one relates to my interest in nostalgia. Only this time it is a constructed or fake nostalgia - a nostalgia for a childhood that wasn't mine. The books that I chose to use mostly originate from the 50's or 60's and suggest a comfortable middle-class (and naively racist, judging from the Gollywog book) white family life - with titles like Enid Blyton's Famous Five Have a Smashing Time Doing Whatever They Do (or something like that) and some dusty old text books.

Anyway, below is the info that I lifted from the press release. Hopefully I'll catch up with a few familiar faces at the opening this Tuesday.

Unique Artists' Books
2-24 December 2009
Private View: Tuesday 1st December, 6-9pm

KALEID is proud to announce an exhibition first: a group show dedicated to unique artists’ books.
The exhibition will bring to life ‘the aftermath of an accident between a trolley car and a newspaper kiosk', recalling Maud Lavin’s description of Johannes Baader’s original exhibition Das Grosse Plasto-Dio-Dada-Drama. Drawing inspiration from Baader’s original architectural feat, fifty pieces have been selected for their originality and conceptual response to the traditional book form.

KALEID curator Deeqa Ismail challenges the viewer to consider not what a book is but what a book can be. Reaching out to an international network of artists, exhibition highlights include:

Samantha Huang’s deformation of the found book is a rejection of the literal reading. Neglected by past owners, the book is conscientiously destroyed in order to disseminate its physical potential back into the public domain. Liz Jackson’s minimalist interventions draw attention to the physicality of the paper. Her demarcation of the edges transforms the book into a sculptural form, opening it to new ways of reading whilst hiding the true content of its pages. Finlay Taylor’s buried, decomposed and subsequently exhumed books that are transformed into unique pieces by worms and mollusks whose digestive journey offers a personal account of subterranean history. With his Dictionary Story, Sam Winston seeks to transcend the visual limit of language. His wild transformation of words into abstract form creates a style that pushes the boundaries of typography and the letterpress. Pete Williams’ 12ft Tower, made from rescued scrap wood and woodcuts, has been assembled in defiance of the material’s destruction. The installation as a focal point in the gallery, offers its ledges, nooks and crannies for the imminent arrival of fifty unique books.

For more information and images contact Deeqa Ismail at the gallery: deeqa(at)kaleideditions.com - KALEID editions (artists who do books). Unit 2, 23-25 Redchurch St, London E2 7DJ. 07852134825

3 Shows in 3 Days

Next week looks like being a bit of a busy week for me as I have three shows opening in three days. And I’ve just realised that two of them open on the same night. So it looks like I’m going to be running between two different openings on Thursday the 3rd December. One is ‘Tate the Biscuit’ in Shoreditch Town Hall basement and the other is ‘Botanists of The Asphalt, Part 1’ at The City Arts and Music Project, just off Old Street tube station. Luckily they are both within a 5 minute walk of each other. Actually, all three shows are within a few minutes walk of each other and in East London’s art Mecca that is Shoreditch.
The first private view which opens at Kaleid Editions on Redchurch Street (near Brick Lane) starts at 6pm on Tuesday 1st December. For this show I will be exhibiting a small tower sculpture made out of old books and mounted on wheels (I know - a bit of a motif of mine). I’ve not yet completed the piece so I don’t currently have a photo of it but I will post one just before I deliver it to the gallery on Saturday.
Details for all three shows can be found to the left of your screen, under ‘Upcoming Shows’. So, if you would like to come along please do. The only one that you need to RSVP to is ‘Botanists of the Asphalt’ which you can do at Stephanie@thecamplondon.com or by contacting Stephanie Pochet on 07966244138.

RCA Secet Postcards Revealed

Congratulations to Cade Newman who correctly guessed which were my three postcards in this year’s RCA Secret show. A prize (probably a drawing or a small painting) will be winging its way to you shortly. The exhibition numbers were 821, 1007 and 1713.

Although, I would have awarded an extra special prize to anyone who had got number 1700 (bottom left) which was entered under my alias - Chig.

I’ve already had some fantastic feed back from people that I met in the crowd at the RCA Secret and who I gave free prints to (see my earlier post ‘Free Art’). One person was pleased to receive a print, especially since one of my postcards (which she managed to buy) was first on her list. And considering the quality of the art on show this year, I’m very flattered that one of my pieces was on anyone first choice list.
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Drive-through Art Gallery

If you click on the highlighted link below it will take you to a short TV interview with Laurence Longueville, the artist and curator of The Park Art Fair International in Geneva. I am one of the participating artists in this unusual show, which brings together the seemingly separate worlds of art and parking. Une galerie d’art dans un parking public (1′59)

Free Art

Swirl Skull Print RCA 2009, originally uploaded by Wayne Chisnall.

I've finally managed to catch up on all the sleep that I missed from working through the night, last night, to get all the Swirly Skull mini screen prints done in time so that I could hand them out free to all those dedicated art lovers queueing up for this years RCA Secret sale at The Royal College of Art, London (damn, that was a long sentence). I plan to do a very limited edition, larger version of the Swirly Skull at some point in the future, as well as a limited run featuring a block of 9 skulls (each skull being the same size as the ones I gave out today) but I'll keep you posted on that - I need to find a new studio first.
Last year I handed out stickers to so this year I thought I'd do something special and I created 400, signed and editioned, postcard-sized screen prints - just for the RCA Secret punters.
It had been a long time since I last hand printed a set of screen prints myself and I had forgotten how much fun it was. I must also say a big thank you to screen printer and clothes designer, Chris Hall (check out his new range of street wear at the Sunday 'Up Market', off Brick Lane, London) for preparing the screen for me, for all his technical advise and for use of his screen printing equipment. Much appreciated.
Sorry to all those in the crowd that I wasn't able to get to. Unfortunately I arrived a few minutes too late to reach people at the very front of the queue, as the doors had just opened and everyone was understandably eager to get inside.
As usual at the RCA Secret event, everyone was feeling excited and chatty - and it was great to see a few familiar faces from last year. Because I got there a little late I missed out on catching up with some of the regulars camped out at the front but it would be good to catch up with some of you and find out how you did.

RCA Not So Secret?

Here are three details from the three postcards that I have in this year's RCA Secret. Hopefully I've made it hard to guess which ones in the show are mine but if you think that you have worked it out then why not email me their correct exhibition numbers - and the first correct answer received before the sale starts on Saturday 21st November will win a prize. I'll probably send the winner a small drawing or something.

So if you think you know the answers send me an email marked 'RCA Not So Secret' (including your name, address and the 3 correct numbers) to waynechisnall@yahoo.co.uk - before Saturday 21st November 2009.

Good Luck.

To view the entries on-line go to - www.rca.ac.uk/secret

or check out the show in person at -

Royal college of Art
Kensington Gore
London SW7 2EU
020 7590 4186

Day of the Dead Party

Here are some photos from Urban Junkies’ recent Dia de los Muertos (Day of the Dead) party at The Bathhouse – a wonderfully decadent and subterranean club located in Bishopsgate churchyard, London. Billa/Ian Baldwin’s photos (some of which are seen here) capture the feel of the night beautifully – although the Cazadores Tequila cocktails also probably had something to do with how we were all feeling. As you can see from the pics, my new Swirly Skull design made an appearance - in the form of a couple of masks - which was a last minute attempt at fancy dress. Fortunately the very talented Sarah Jordan was on hand to administer suitable Day of the Dead inspired face-paint. So after we eventually got our faces painted (which nicely hid the cuts and bruises from when I fell off my bike) the Swirly Skull masks were discarded, but judging from the amount of photos that they appear in they seem to have been passed around like battens a peculiarly macabre relay race.

To see more photos of the night check out the Urban Junkies link (http://www.urbanjunkies.com/london/party-pics-archive-09/1106-cazadores-dia-de-los-muertos.html) and to see more of Billa Baldwin’s fantastic photos check out www.billabaldwin.com.

RCA Secret Artists Party

Well, it's that time of year again and the Royal College of Art has just thrown its annual 'thank you' party for all the artists who have contributed to this year's RCA Secret - the once yearly exhibition of "original postcard-sized artwork, donated by internationally acclaimed artists plus up-and-coming graduates from the Royal College of Art". Aside from it being a chance to get a preview of the thousands of works on show, the party is always a good opportunity to catch up with old friends and meet new artists. And the free drinks and goodie bags don't go unappreciated either.

Every year I try to do my postcards in a different style from the previous year. This time I've gone for pencil drawings but have done them in slightly different styles to each other. Last year I posted images of my entries here on my blog, before the sale opened - a little bit naughty some would say. Although, for anyone who had already seen my blog and my prints, it was pretty obvious which ones were mine. So this year I'll make it a little harder. Just before the show opens I might post a small detail of one or all the cards and see if anyone can work out which ones are mine. Damn - I could even give a prize to the first person who gets them all right.

All the cards on show go on sale (priced £40 each) on Saturday 21th November 2009 - but get there early as some of the hard-core collects have been known to camp out days, if not weeks, in advance. You can purchase up to four cards but you have to register first - either at the exhibition, at their website or by emailing secret@rca.ac.uk.
However, if all goes to plan (fingers crossed, as I might have left things a little too late to have everything ready in time) I should a little surprise for those queueing outside on the opening day.

The show is open to the public from 13th - 20th November 2009, 11Am-6PM (19.11.09 until 8PM). For further info check out www.rca.ac.uk/secret.

Royal college of Art
Kensington Gore
London SW7 2EU
020 7590 4186

Time To Move - Again

Well, it looks like I’ve got to look for a new studio. The warehouse that I’m currently living and working in, in East London’s Bethnal Green, is about to be re-developed.
I suppose that this is just part of the ongoing cycle of the art community migration. The artists move into the run-down parts of the city and take over the disused industrial units because they are cheap and offer lots of space to work in. Then cool cafes, bars and galleries etc sprout up around them and finally the property developers make everything look lovely and expensive – and the artists move onto the next cheap and undesirable location.
At least I have until the end of the year (the end of January at a push) to find a new space to live and work. So if anyone out there knows of a suitable location (as you can see from the photo of my current place, I’m not going to be disappointed if the new place is not exactly a show home), preferably in or close to East London, please let me know about it.
I can be contacted at waynechisnall@yahoo.co.uk. Cheers.

On a different note - congratulations to Jakob and everyone else who worked on 'Scratch' (see the post below). The film looked amazing and I was pleased to see that my sculptures not only made it into the final edit, but were there in the opening scene. I even saw a postcard for one of my exhibitions strategically placed on a wall next to the main character in one of the scenes - nice touch guys! It was also pretty amazing to see my name roll down a full sized cinema screen during the closing credits. Now that's not something you see everyday.

'Scratch' Premiere

This Tuesday sees the premiere of 'Scratch' by Norwegian director, Jakob Rørvik, at Ciné lumière, The Institut Français du Royaume-Uni, 17 Queensberry Place, London (Box Office: 020 7073 1350). The film is set in and around the London art scene and a few of my sculptures were used in one of the scenes, set in The Jago Gallery on Redchurch Street. So, I suppose I'm going to have to wait until Tuesday to see if any of my work survived the cutting room floor.

Here's a brief synopsis of the film (lifted from Institut Français' website) -
Lena, a young art student obsessively follows and takes pictures of a charismatic drifter, Sol, as he makes his way through a series of sexual encounters with artists on the periphery of London's underground art scene. When Sol discovers her, the project turns on its head. Fascinated by her odd behaviour, Sol is now the one to follow her. Young Norwegian directing talent Jakob Rørvik weaves a delicate haunting romance as Sol and Lena gradually expose each other's dreams, fears and lies.

UK/Norway | 2009 | col | 35 mins | dir. Jakob Rørvik, with Viktoria Winge, Luke Treadaway, Patrick Kennedy, Montserrat Lombard | cert. 15 | UK premiere

Geneva Art Fair

This month I will be participating in the PARK ART FAIR INTERNATIONAL © GENEVA 2009. You find out more about the fair at this address - www.pafi09gvagb.blogspot.com or by contacting the organiser directly at exhibition@laurencelongueville.ch

DETAILS FROM BLOG:
Exhibition Dates: 19 - 28 November 2009
Geneva Switzerland
Parking de Villereuse
Adddress: angle rue de la Terrassière et rue de Villereuse
Private View : 19 November 2009 at 6:00 pm (18:00h)

The PARK ART FAIR INTERNATIONAL © GENEVA 2009 is wide away from a classic fair concept, and invites the visitors to discover and enjoy this juried exhibition. It is an exceptional wide spectrum from the new generation of artists, providing art lovers, collectors and experts, with a unique opportunity to see and buy high-level art around the argument "art 100% original artists 100 % art "

The PARK ART FAIR INTERNATIONAL © GENEVA 2009, ideally situated on the "Rive Gauche" in the heart of Geneva, invites you to discover this incredible, new, out of classical exhibition in Switzerland... Geneva, this little big international city, with international organizations, multinational companies, banks, day skiing trips, museums and.... chocolate, offering a very cosmopolitan spirit!

The Nest - Channel 4 News

Here's the Channel 4 News item about the 'Cultural Olympiad', the artworks and artists choosen to represent the UK at the 2012 Olympics. If you watch all the way to the end, you'll see John McIlduff and Brain Irvine being interviewed about their Nest project and my Junk Metal Nest drawing used as the closing image. I'd also like to thank Kate Watkins for finding the link for me. Cheers Kate.

Saatchi Showdown

Spidie Segments (with side view), originally uploaded by Wayne Chisnall.

This time, for the Saatchi Showdown I've decided to enter my Spidey Segments painting - the piece from which my series of Spidey Pods prints originated. The Saatchi Showdown is a regular on-line competition where artists enter an image of one of their artworks and the public get to vote on the ones they like best. The work on show is always a bit of a mixed bag (there's the great, the good and the not so good) but it's an interesting way of getting your work seen by a wider audience and of seeing what people have been up to. To check out my entry and to see what other artists have put up why not go to this address -
http://www.saatchi-gallery.co.uk/showdown/index.php?showpic=239769

The Nest

Junk Metal Nest Sketch, originally uploaded by Wayne Chisnall.

Firstly I’d like to congratulate John McIlduff and Brian Irvine for winning one of the 12 Artists Take the Lead awards (commissions totalling £5.4 million) with their proposed Nest project - and secondly I’d like to thank them for using a blown-up image of my Junk Metal Nest sketch for the recent press conference here in London. After the conference John told me that he’d seen my sketch appear on Channel 4 News. It’s probably more like 15 seconds than 15 minutes of fame, but hey, I’m easily pleased.
John contacted me about using my drawing after he came across it on the internet. Although I’d already heard about the Arts Council England and London 2012 award (with money like that up for grabs, what artist hadn’t) it was the first that I’d heard of their Nest project. And once they told me about the similarities between their work and mine I immediately agreed to let them use my sketch.

Below are a few paragraphs about the project that I found on -
http://www.artiststakingthelead.org.uk/northern-ireland/brian-irvine-brian-irvinejohn-mcilduff-dumb-nest
But you can also find out more about the project at –
http://www.artscouncil-ni.org/news/2009/new221020092.html
and at -
http://press.artscouncil.org.uk/content/Detail.aspx?ReleaseID=880&NewsAreaID=2

THE NEST invites the people of Northern Ireland to create art on a massive scale through the simple act of donating an object. These will be collected and assembled into a gigantic creation to be built in Belfast by a team of artists and designers. THE NEST will become a focal point for a large-scale music and choral event, composed, written and directed by Brian Irvine and John McIlduff - inspired and performed by the people of Northern Ireland.

This huge multi-media project will have a presence throughout the towns and villages of the nation, as artists and volunteer teams travel to collection points to find out about and gather in the objects that people wish to donate. A multitude of items, small and large, will be collected from donors who will be asked to attach a baggage label illustrating how they are connected to their donated object. Donors will be filmed with their objects and the objects will be photographed, catalogued and under the direction of an artistic design team, take a single shape that will become THE NEST.

Words from these baggage labels together with film footage of people making their donations will be transformed into a large-scale musical work that will be performed by an orchestra and large community chorus made up of people from all over Northern Ireland: professional and unemployed people, young and not so young, farmers, doctors, bankers, shop-keepers, and people with disabilities amongst many others.

With thousands of objects and labels and hundreds of singing voices and musicians, THE NEST will be a far reaching, all embracing, sonic and sculptural landscape that examines and questions relationships between people and the things that we surround ourselves with - the things from which we make our own nests.

Spidey Pods @ Orbital Comics

Incase any of you eagle-eyed comic fans hadn'd noticed, I thought I'd mention that my Spidey Pods prints are now on sale at Orbital Comics (a framed copy can be seen up on the wall behind the first counter). Orbital recently moved to 8 Great Newport Street, just round the corner from Leicester Square tube station. If the adddress sounds familiar to anyone it is probably because it is the former location of that fine institution, the Photographers' Gallery (now relocated to 16 - 18 Ramillies Street, London W1F 7LW).

Orbital Comics, 8 Great Newport Street, London WC2H 7JA. Tel: 02072400591

South Bank Graffiti

Here's a short video montage of what we all recently got up to at Ctrl+Alt+Shift's 'Writing On The Wall' event at the South Bank, London.