Pholcus Phalangioides (aka the Daddy-long Legs Spider, aka the
Long-bodied Cellar Spider, aka the Skull Spider), the subject of my latest
painting, is my favourite house spider. My house/studio in Shropshire is full
of the little beauties; which is odd because it wasn't until I moved to London,
from Shropshire, about twenty years ago that I first saw one of these
creatures. Which is starting to make me wonder if the reason that I'm now
surrounded by them is that I brought them with me when I relocated my studio
back up here to the Shire.
One of the reasons that I like them so much, apart from the fact that
they keep down the fly/bug population, is that they are content to just hang
upside down in a corner somewhere keeping perfectly still for hours, if not days
at a time. Unlike those big, fast-moving, hairy-legged spiders that like to
startle you by running across the back of the sofa just as you've settled down
to watch a film for the night. Incidentally, as well as eating bugs, Pholcus
also eats other spiders (which might account for the reason that I've not recently
seen as many of the big, fast-moving buggers as I used to), even occasionally resorting
to cannibalism and eating of its own species.
'Kitchen Cannibal' (detail) by British/UK artist, Wayne Chisnall. |
It's Pholcus's patient inactivity that makes it the perfect artist's
model. This one had set up home in my kitchen, next to the toaster. I initially
intended the painting to be little more than a quick oil sketch, which is
exactly what the central section featuring the spider is. However, once I began
I soon got a bit carried away with the flow in the lower section of the painting, playing with
the paint and enjoying the emerging forms.
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