Thursday, 13 December 2018

Mini Oil Sketch Winners


For the past few months I've been working on a series of mini oil paintings (many of them merely playful sketches in oil paint). Similar to my Taster Menu series, which I originally created for a pop-up event at the A PlusA gallery during opening week of the 2015 Venice Biennale, these pieces are painted on plywood and designed to be displayed directly on the wall - with a small hole in the back to accommodate a hanging nail or screw.


During this time I've also been running a competition on social media for people to be able to win three of the pieces. The winners of the competition were drawn out of three hats by the art journalist and editor of Avenir Magazine, Holly Howe, on the final day of this year's RCA Secret exhibition (in which I was exhibiting three postcard-sized oil paintings). So without further ado I'd like to say congratulations to the three winners of my mini oil painting giveaway competition - @Onthelowlow (on Twitter), @CennerHice (on Instagram) & Sara Metcalfe (on Facebook).

Wednesday, 12 December 2018

RCA Secret 2018 Reveal


Apologies for my rather tardy approach to blogging these days. The final day of this year's RCA Secret (and hence the day that the identities of the artists behind the secret postcard-sized artworks was revealed) was almost a week ago, so I've been at liberty to reveal which of the three works in the show were mine for some time now. So here we go -


For anyone who still doesn't know what the RCA Secret is, it's a fundraising exhibition of original postcard-sized artworks by internationally acclaimed artists, illustrators and designers plus up-and-coming graduates and students from the Royal College of Art (I'm quoting from the RCA's website here).


As one of the biggest and most anticipated events of the College year, RCA Secret not only directly helps the next generation of artists and designers pursue their studies and supports students at a formative time in their careers, but also gives you a chance to get your hands on original works of art for a small donation. The Secret? Each postcard is signed only on the back, so supporters don’t know the identity of the artists until they have made their donation.

Previous contributors have included:
David Bowie, Tracey Emin, Norman Foster,Zandra Rhodes, Yinka Shonibare, Manolo Blahnik, Paul Smith, Mike Leigh, Sir James Dyson, Anish Kapoor, Yinka Shonibare, Paula Rego, Grayson Perry, John Squire and many many more well known names.


As a footnote I'd like to mention my biggest RCA Secret regret: I once won a London Time Out magazine / RCA Secret competition and was given the prize option of having an original, signed painting by David Bowie or a signed print by Marc Quinn. I chose the print (slumps over laptop keyboard with face in hands)...

Monday, 26 November 2018

Oil Painting Giveaway


Here's another reminder that at the end of Nov/Dec's RCA Secret exhibition I'll be giving away three small oil sketches from a series that I'm curently working on - one via Instagram, one via Twitter, and one via Facebook. 



To be in with a chance of winning one simply 'like', 'follow' me (don't worry if you're already following me - that still counts), and 'repost' any of my posts featured in the competition, with the hashtag #minioilsketches. For Instagram reposts you might have to use an app like Repost.



To ensure fairness and impartiality the names of the three winners will be drawn from a hat  by Holly Howe, the art journalist and editor of Avenir art magazine.



Here are a few of the miniature oils sketches that I've produced so far. Check out my Instagram, Twitter and Facebook pages to view the full range, and for a chance to win one. 


Good luck! 


Tuesday, 16 October 2018

Its Art Call 2018 Exhibition



I'd like to thank the judges and organisers of The Cult House for selecting me to be one of the twelve artists exhibiting in the Its Art Call 2018 exhibition, which runs from 31st October - 9th November, at the After Nyne gallery in Holland Park, London. 
If anyone would like to come to the private view/opening party on Thursday 1st November (6-9pm) please RSVP as soon as possible to info@theculthouse.co.uk . I'll be there and I imagine that most of the other exhibiting artists will also, so please feel free to pop along and chat to us - or just come along for a drink and a look at the artwork.
I'd also like to congratulate friend and fellow artist, Oskar Krajewski, for winning the solo show which will open on the 20th November at the same venue.
The three pieces that I will be exhibiting in the show are Tattooed Tumour Box, Planetoid 210, and Orifice Tower.



Tattooed Tumour Box emerged from my interest in applying organic-looking structural developments (that have gone awry) to geometric forms. In this case I have taken as my inspiration the mechanism of a cancer cell, where growth has gone unchecked and produced an unstable-looking, asymmetrical form. The 'tattooed' element of the piece harks back to growing up with a tattooist father but the style of the drawings relate more to my early career as a technical illustrator. As for the subject of the drawings - the starting point was based upon found materials that I had collected for use in future sculptures, but which I chose to morph together or exaggerate beyond recognition.

'Planetoid 210' is a realisation of one of a series of sketches that I had been working on for some time. These sketches all involve architectural structures or towers sitting atop planetoids or spherical bodies that are obviously too small to realistically support them. The original drawing was inspired by something that happened to me whilst I was in Goa, India. I was swimming in the sea and noticed an interesting seed pod floating towards me. And as I picked it up to investigate further a small colony of tiny crabs decided that they must have hit dry land and disembarked onto my hand.


Although it might look like it's just been thrown together all the individual box sections and framework of Orifice Tower have been carefully constructed in such a way that the pieces interlock, creating a deceptively sturdy structure – not that I'm encouraging anyone to try and climb it. Discounting the glue, all the materials used in the construction of this piece (mostly wood but some stone, copper piping and small metal fixings) are recycled – even down to the screws. This isn't purely for environmental reasons. It's mainly because I love the patina and 'resonance' of old materials. A lot of the wood comes from the backs of old picture frames or early to mid-20th Century packing cases from the Victoria and Albert Museum in London.

Orifice Tower started out as a quick thumbnail sketch that I drew whilst waiting for a talk to commence at the Jerwood Space in Bankside. At that time I was working on some small sculptures that were basically wooden boxes that incorporated carved apertures or orifices. By this stage I'd become aware of the fact that much of my work was getting smaller and smaller so I decided to remedy this by creating elevated versions of these new Orifice Box sculptures. This also tied in with my love of tower structures.


To come to the private view/opening party on Thursday 1st November (6-9pm) please RSVP as soon as possible to info@theculthouse.co.uk

Tuesday, 25 September 2018

Half Price Print Sale (for next 30 days)

It's been a few years since I last had one of my print sales and I've decided it's about time I had another. So for the next thirty days I'm offering a selection of my prints at half their regular price. If you'd like one at 50% discounted price drop me an email at WAYNECHISNALL@YAHOO.CO.UK
Here are the ones that are included in the sale -

IF THEY WERE BUNNIES (£90 instead of £180)


I created the original image for 'If They Were Bunnies' by first selecting a newspaper image of British police officers attacking demonstrators. I then painted out the protestors - replacing them with my own cartoon rabbits. I'm pleased with the contrast between the crisp graphic line work of the bunnies and the just about perceptible halftone modulations of the newspaper image.

Printed using cutting edge Epson® HDX Ultrachrome archival pigments inks, as opposed to ordinary dye-base inks, which are more prone to fading over prolonged exposure to UV light, and printed on Hahnemuhle Bright White 310 gsm; an acid-free, premium heavy-weight archival paper. The image is 45.5 x 33 cm, and the paper size is 50.5 x 39.3 cm. Each print is signed and editioned (being from a limited edition of 100). The prints are also embossed with an authentication stamp in the lower left corners of the border.

SPIDEY PODS (£100 instead of £200)


The Spidey Pods piece came about through the merging of a few different ideas or interests. Part of it was to do with my interest in nostalgia, childhood perceptions of adulthood and childhood heroes (hence the elements of the 70s style Spiderman costume). The work was also influenced by an interest in forms that reoccur within larger forms. Just prior to making the preparatory drawing for the Spidey Pods piece I had been peeling back the skin of a segment of orange and marvelling at the mass of smaller pod-like segments that it was made up of.
It was whilst sketching out the initial drawing that I also remembered a scene from the original 'Invasion of the Body Snatchers', in which the main character from the movie finds himself in the back of a truck, on top of a pile of giant pods. So again, there is this reworking of nostalgic elements, as films have been another important influence throughout my life (especially during my childhood).

Limited edition, hand-printed, silk-screen prints on acid-free, archival high grade paper. Signed and numbered. Edition of 300 (although less than 100 have so far been printed and it's unlikely that any more will be printed).
Dimensions: 58 x 53 cm.


MORPHED COMPONENTS (£80 instead of £160)


The 'Morphed Components' prints are based upon one of my pencil drawings, in which I morphed together elements of different found objects and materials that I'd been collecting for use in my sculptures. Unlike my recent quick-fire drawings this one harks back to the draughtsmanship style I used when I first started out as a technical illustrator for one of the big Japanese companies back in the 80s. I found it interesting using the same precise and clinical rendering that I used back then, on something that is personal to what I do now. Some people have said that they find the drawing a bit disturbing but I find it quite relaxing to stare at (the original hangs on the wall at the foot of my bed).

In order to give the prints a subtle pencily (that's not a real word is it?) quality the screen prints were hand-pulled using an ink made with graphite powder. As with all my other screen prints, these are also printed on archival quality paper and each one is signed and editioned. The paper dimensions are 54 x 52 cm and the print run is an edition of 60 plus five artist's proofs

Title:Morphed Components
Dimensions: 54 x 52 cm (approx)
Medium:silk-screen prints (hand printed) on acid-free paper
Colours:1 (graphite powder ink)
Edition:60

SWIRLY SKULLS ON PINK (£70 instead of £140)


For those of you who love skulls but with a shade of femininity, here’s my two colour, ‘Swirly Skulls on Pink’ screen print. They come in a strictly limited edition of 50 and each print is signed, titled, editioned, dated, and printed on archival paper. The paper dimensions are 70 x 50 cm (larger than my single colour, ‘Swirly Skulls’ prints which are 60 x 45 cm).

If you are interested in any of the prints (temporarily at half price) just drop me an email at waynechisnall@yahoo.co.uk

Friday, 6 July 2018

(Free) Miniature Oil Paintings

In the build-up to this November/December's RCA Secret exhibition (proceeds from the sale of the artworks go to help support the Royal College of Art's students) of postcard-sized artworks, to which I annually contribute, I've decided to get in the mood for it by working on a series of speedily executed, miniature oil sketches. Well, I say 'speedily executed', but there's always going to the odd one or two where I get drawn in, and end up staying up all night tinkering away over it.


On the final day of the RCA Secret (the day of the sale) I'll be giving away three of the postcard-sized artworks to winners selected at random - one via Instagram, one via Twitter, and one via Facebook. To be in with a chance of winning one simply 'follow' me on any of the three social media sites and 'like' and 'share' any of the posts (sharing posts on Instagaram is a bit trickier than on Twitter and Facebook, so extra points to anyone who manages it).



Here you see a few of the miniature oils sketches that I've recently produced. There will be more to come over the following months. To view them, and for a chance to win one, check out my Instagram, Twitter and Facebook pages. Good luck!


https://www.instagram.com/waynechisnall
https://twitter.com/waynechisnall
https://www.facebook.com/WayneChisnallArt