Following on from my earlier blog post about rediscovered slides of some of my art college work (and, through shear laziness, lifting its opening paragraph word for word), here are a few images of And When I’m a Man I’ll Think as a Man, a life-sized sculpture of myself as a pre-assembly model kit.
Back in the 90s, before digital photography was really a thing, if you
were an art student wanting to document your work, you were told slide film
photography was the way to go. Or at least that’s what we at the University of
Northampton were told; the idea being that when you then went on to be
interviewed for a place on an MA course at another university, the images of
your work would be viewed as projections via a slide projector. This all seems
archaic now, and to be honest, it probably was even back then. By the time I
left university in 99 the only University I knew of that still required
applicants to submit slides was the Royal Academy. Most other institutions
preferred photographs (printed-out rather than emailed, as email was still a
relatively new concept to most people back then) or to see an artist’s physical
portfolio.
And the reason I’m rabbiting on about slides? Well, that’s because a
friend of mine kindly offered to digitally scan a folder full of slides that
Id’ taken (around 25 years ago) of my student artwork. After he’d scanned them
I was quite excited to see the results, especially as most of the artwork from
that period either no-longer exists or is no-longer in my possession. However,
apart from a few reasonable examples, there wasn’t that much call for
excitement. Many of the slides were over or under exposed. Although, I had
expected this as, as students, we were taught to bracket our photos (take the
same shot at several different exposures) to increase the chance of getting a
decent photo. Another section of slides all had identical dark marks on them;
presumably there had been dirt on the lens of the camera that I was using to
document my work. Oh well – I’ll put all that down to experience (and
inexperience).
It's not always easy to remember what one was thinking when originally
making a piece of artwork, especially when it was so long ago. However, in the
case of And When I’m a Man I’ll Think as
a Man, I do remember its origin story. At the time (on the 2nd
year of my BA Hons course in Fine Art at the University of Northampton) I was
using old toys as reference materials and exploring the notion of childhood
perceptions of adulthood, and how children role play adult situations using
toys of adult figures. This might all sound a bit highfaluting but the
inspiration for this sculpture actually came about through a drunken pub
conversation with fellow students. We were talking about things we remembered
from childhood and I mentioned that when I was a kid I loved making plastic
model kits; not of planes, trains and automobiles like most other kids were
making at the time, but of things like spaceships, classic horror movie
characters (or anything macabre), and superheroes. This was all way back before
comic book and sci-fi is as mainstream as it is today, so these toys weren’t as
easy to come by as they are today.
Anyway, that night, under the influence of probably far too much
alcohol, I half joked that I was going to make a life-size version of myself as
a model kit. And the next morning, once I’d sobered up, that’s what I set about
doing. I made moulds for all the body parts of the sculpture by casting parts
of my own body, and from these moulds I created the fibreglass castings. Once
these castings were cleaned up and trimmed the shape (a long a laborious
process that I won’t bore you with) I attached them to a frame that I built out
of PVC tubing. Then, after lots of filling, sanding and spray painting I had the
finished sculpture that you see here in these early slides, which were taken in
the photography studio at the University of Northampton (then known as Nene
College, although, it did change its name to that of the university just before
I graduated).
2 comments:
Visually striking and an insightful read!
Thank you Amara
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