Tuesday, 20 October 2015

LoVArts Interview

A couple of Sundays ago I had the pleasure of meeting up with Elizabeth Covello of LoVArts, the promotional and networking platform for visual artists based in London. We met at one of my favourite East London spots, The Gallery Cafe, adjacent to Bethnal Green's Museum of Childhood. And with it being one of those rare Sunny October afternoons we decided to take tea in the garden (all proper and British like – innit). We chatted at length, or rather, Elizabeth asked intelligent and pertinent questions while I just blathered on about why I make the things that I make. Here's the resulting interview and a few pics.


“Wayne Chisnall: Intuition and Interaction 
On a sunny Sunday afternoon, I had the opportunity to meet with Wayne Chisnall, who introduced me to his world, where funky creatures, architecture and sculptures get mingled with childhood memories.
While Wayne started talking to me about his work, I realised that I was talking to a hunter: during his free time, Wayne goes down the Thames to, in his own words, “hunt things” such as teeth, hair, bones, pieces of wood and metal and many other random materials. 


Once he has gathered enough elements, he goes back to his studio which I imagine being a sort of experimental lab. From there, the materials discovered by Wayne will start dictating their future shapes to become vast sculptures ,the artist’s favourite plastic art, where he can explore technics, interact with his material and discover things that were  subconsciously in his mind. 

Wayne Chisnall also reveals that he always had a fascination for the changing process of organic elements, visible with a piece of wood but also ,on a more medical aspect, on a tumour, whose expansion in a body intrigues the artist. The tumour actually inspired Wayne for his “Tattooed Tumour Box”, a vast architectural sculpture  made of wooden boxes and covered with extremely meticulous drawings, obviously reminding us of tattoos, an art form that Wayne knows well. 


Finally, Wayne explains that his work is greatly influenced by his childhood where he used to be obsessed with comics, sci-fi and horror movies. His childhood memories come back to him in his dreams leading to the design of astonishing creatures, such as the Spidey Pod or the Evil Pebble Blue.
Wayne Chisnall is working on a lot of projects and will continue to surprise us! ”

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